But youd be surprised how many questionable agents produce error-ridden documents or maintain inadequately proofread websites. Others are a mix of backlist and original publishing for both clients and non-clients. It also needs to be the right track record. A robust history of selling books to advance-paying publishers is the single best indication of an agents effectiveness and expertise. Requiring writers to buy a critique or manuscript assessment. A growing number of successful agents have associated editing, consulting, or publishing businesses. Be wary of an agent who is looking for poets.
Some simply send off your query and/or sample material; others offer editorial services to get your submission into shape, o create those materials for you, or create a catalog or pitch book that you must pay to be part of. For more on bad agents and the damage they can do to your career, see this blog post from Jessica Faust (an excellent agent) how to literary speed dating. As a general rule of thumb, a new agent should begin making regular sales within a year of starting up. Others are databases where anyone can enter unscreened information. Apart from celebrity projects and writers who are already well-known, successful literary agents rarely represent poets. However, their low skill level makes it unlikely that theyll sell anythingor if they do, that theyll ever manage to move beyond marginal status. The prospect of a Hollywood sale is usually a pipe dream offered to gullible writers by unscrupulous fee-chargers.
Its one reason they prefer to work with agents they know, either personally or by reputation. The Australian Literary Agents Association is open to agents of at least three years standing who satisfy minimum sales and/or income criteria. As far as I know, theres no agents association in Canada.. You may have heard that you cant get published without an agent, and you cant get an agent unless youve been published. This concept seems to be at least somewhat effective for screenplay writersbut for book writers, evidence that agents and editors make much use of display sites is slim how to literary speed dating. Agencies policies on track record disclosure vary. Theres nothing wrong with placing books with solid small pressesbut the real test of an agents skill is getting in where an author cant, i.